# How to find resonant frequencies by ear > Find a resonant frequency by ear: set a narrow boost, sweep it until something rings or jumps out, then turn it into a cut. When to do it, and when to stop. Page: https://mixchops.com/learn/find-resonant-frequencies By [Dan Murtagh](https://danmurtagh.com/about) · Updated 3 October 2026 **Short answer:** set a narrow EQ boost and sweep it slowly through the range where the problem seems to be. When the boost lands on the resonance, it rings or jumps out. Turn that boost into a cut, of the smallest amount that fixes it, and check it with the mix playing. Engineers call it boost and sweep, or sweep and destroy. The skill to practise is hearing the ring before you sweep, so you know where to look and only cut what was really there. > **Demo** (plays in the browser on this page): A full mix with a narrow 10 dB boost (Q 8) that you sweep from 150 Hz to 6 kHz, the range Hunt hides its rings in. Slide the **frequency** slowly and listen to what rings out as you pass it, then flip **Sweep off** and **Sweep on**. Nothing has been added to this mix: what jumps out is the boost itself, which is why you only cut what you heard before you swept. Both sides play at the same loudness. ## What a resonance is A resonance is a narrow range of frequencies that rings on longer or sticks out louder than the rest. A drum shell rings after each hit. A drum recorded in a small room comes out boxy. A vocal has a whistle or a harsh spot on certain words. A guitar body booms on one note. It sounds like one pitch hanging on, or one note jumping out of a line. ## Boost, sweep, cut 1. **Hear it first.** Play the part in the mix and decide what’s wrong and roughly where: boom in the lows, box or mud in the low mids, honk in the mids, harsh or whistling higher up. [Mix problems you can hear](https://mixchops.com/learn/mix-problems) has where each usually lives. 2. **Set a narrow boost,** with a lot of gain. Narrow, so it only grabs a small range. Big, so it exaggerates whatever is there. 3. **Sweep slowly through that range.** When the boost lands on the resonance, it rings or jumps at you. 4. **Turn the boost into a cut.** Start small and go deeper until the ring stops sticking out. Keep it narrow. 5. **Check it in the mix,** at the same level, flipping the cut off and on. If the part now sounds thin or hollow, back off. ## Don’t sweep and destroy everything A big, narrow boost makes almost anything sound ugly. Sweep one across any instrument and you’ll find plenty of spots that ring, because the boost is making them ring. So only cut what you heard before you started sweeping. Cut a dozen “resonances” a part never had and it ends up thin and lifeless. Judge the cut with the boost gone and the mix playing. ## Get quick at it The sweep is a search, and the better your ears, the shorter it gets. The goal is to hear roughly where the ring is before you touch the EQ, then sweep a small range to pin it down. That’s a skill you can practise: find a ring on pink noise, then on drums, then in a full mix, and keep score. ## Questions ### What is a resonant frequency in audio? A narrow range of frequencies where a drum, an instrument, a room or a mic builds up more energy than the rest, so it rings on or sticks out. You hear it as one pitch hanging on, or one note jumping out. ### What is sweep and destroy? The engineer’s name for finding a problem frequency with a big, narrow boost swept through the spectrum, then cutting it. It works on real resonances. Used on everything, it cuts things that were never a problem. ### What Q should I use to find a resonance? A narrow one, a high Q, so the boost only grabs a small range and the ring stands out when you cross it. Then set the cut’s width by ear: a ring usually needs a narrow cut, while mud needs a wider one. ### How do I find the resonant frequency of a room? The strongest room resonances are in the low end. Play a slow sine sweep, or bass notes up a scale, from your listening spot, and listen for notes that boom or almost disappear. A measurement mic and analysis software tell you more. EQ can tame a boom a little but can’t fill a gap: acoustic treatment is the real fix. ## Find the ring. *Kill it.* Hunt hides a narrow ringing resonance between 150 Hz and 6 kHz, on pink noise, drums and full mixes. Sweep to find it, mark it, and cut it, and cutting deeper than you need counts against you. Sweep trains finding a boost fast, against the clock. [Train it in Hunt](https://mixchops.com/eq/hunt) Then: [Sweep](https://mixchops.com/eq/sweep) · Free, in your browser, no account ## More in Learn - [What is EQ?](https://mixchops.com/learn/what-is-eq): What an equaliser does, heard on a mix - [Parametric EQ](https://mixchops.com/learn/parametric-eq): Frequency, gain and Q - [High-pass and low-pass filters](https://mixchops.com/learn/high-pass-low-pass-filters): Including the high-pass on a vocal - [Shelving EQ](https://mixchops.com/learn/shelving-eq): High shelf, low shelf, and a bell - [Mix problems you can hear](https://mixchops.com/learn/mix-problems): Muddy, boxy, harsh, sibilant, dull - [Mixing on headphones](https://mixchops.com/learn/mixing-on-headphones): What they hide, and how to check - [How to train your ears for EQ](https://mixchops.com/learn/train-your-ears-for-eq): A routine, and the bands people mix up - [Critical listening](https://mixchops.com/learn/critical-listening): What it is, and how to train it - [Subtractive EQ](https://mixchops.com/learn/subtractive-eq): Cut first, and how to practise it - [How to fix a muddy mix](https://mixchops.com/learn/fix-a-muddy-mix): Find the part, then cut - [All of Learn](https://mixchops.com/learn): Every explainer and guide, and what it trains